Get Smart, Again! is a made-for-TV movie based on the 1965-1970 NBC/CBS television series, Get Smart!, which originally aired February 26, 1989 on ABC (ironically, the network that rejected the original pilot for the Get Smart! TV series). It has subsequently been released twice on DVD by different publishers. In the video release of the movie, the background canned laughter (pre-recorded laughter added later to the soundtrack), is absent. 　　Overview 　　Differences between Get Smart, Again! and The Nude Bomb 　　The film is not as well known as the earlier theatrical release, The Nude Bomb, also based on Get Smart, but was better received by fans of the original program. Unlike The Nude Bomb, which featured only the characters of Smart, The Chief (with Dana Elcar replacing the deceased Edward Platt), Agent 13 (Dave Ketchum in the series, portrayed by Joey Forman in The Nude Bomb, who had played the character Harry Hoo in the series) and Larrabee, Get Smart, Again! featured all of the surviving original cast reprising their roles. The tone and feel of Get Smart, Again! were also closer to that of the original series. Get Smart, Again! was written and produced by Leonard Stern, who was a producer of the original series. One element of the Nude Bomb ignored completely was the renaming of CONTROL as PITS in the earlier film; although as CONTROL is said to have disbanded in the 1970s, it's not impossible for both CONTROL and PITS to exist within the continuity of the franchise. 　　Barbara Feldon's character, 99, makes a reference to T.H.R.U.S.H., the evil organization in The Man From U.N.C.L.E., a show on which Feldon guest-starred. 　　Theme music 　　Get Smart, Again! also reprises the TV program's original theme music and opening credit sequence, which were absent from The Nude Bomb. In this case, however, the corridors were covered in cobwebs and the phone-booth elevator that led to CONTROL headquarters worked in reverse, causing Smart to be thrown to the top of the booth. 　　Synopsis 　　Maxwell Smart, acting as a protocol officer since CONTROL was disbanded in the early 1970s, is reactivated as a counterintelligence agent by Commander Drury (Kenneth Mars) of the United States Intelligence Agency. KAOS, long considered defunct, has been revitalized by a corporate takeover. Its first scheme involves turning a forgotten American scientist and using his weather control machine to extort $250 billion US dollars from the United States Government. Drury, convinced that only Smart has the expertise to combat KAOS, gives him carte blanche to reactivate former CONTROL agents to assist him in his task. Along with Drury's bumbling aide, Beamish (Steve Levitt), Smart recruits Larrabee (who, believing that he was under orders from Richard Nixon to stay at his post until relieved, has been living in his office in the now-abandoned CONTROL headquarters tending his office plants), Agent 13, Hymie the Robot (now employed as a crash test dummy) and ultimately, his wife 99 (Barbara Feldon) to find the security leak that allowed the scientist to defect, locate the weather machine and disarm it. They are opposed by KAOS moles within the USIA, who are able to predict Max's every move with the aid of stolen copies of 99's unpublished memoirs. The visible head of the KAOS scheme is revealed to be Max's old nemesis, Siegfried, but he is merely the agent of a higher executive whom even he has never met. This higher power is finally revealed as Nicholas Demente (Harold Gould), 99's publisher, who intends not only to extort the money but also to create weather that will keep people eternally indoors and interfere with television reception, forcing millions to entertain themselves by buying Demente's books and publications. 　　Comedic style 　　The script is littered with typical Maxwell Smart verbal gags, and large portions of the plot serve only as set ups for Get Smart!-style sight gags (such as a duel between Max and a KAOS hitman using remote controlled file cabinet drawers). The film also features the array of bizarre gadgetry and political satire that were hallmarks of the original series. The cone of silence has been superseded by "Hover Cover" where a meeting is held on a rooftop with three helicopters hovering overhead. The failure of Hover Cover leads to the development of "The Hall Of Hush",a soundproof room where words print out silently in mid air, a success at first until the words begin to print forward, backward and on top of each other. 　　Max changes the well known quote "Dr. Livingstone I Presume" to "Dr. Hottentot I Presume". 　　1995 revival 　　The relative success of the film prompted the development of a short-lived 1995 weekly series on FOX, also titled Get Smart, with Don Adams and Barbara Feldon reprising their characters as their bumbling son, Zach (Andy Dick), becomes CONTROL's star agent. 　　原班人马啊，好想看。TAT

丹尼斯·蒂伯勒百·巴格利是一个年轻有为的广告设计师，却某次因一种新款去痘霜而无法获取制作广告的灵感。他过度的忧虑导致近乎疯狂，妻子朋友等相当为他担心。随后，他的脖子上长出了一个巨大且奇怪的疖子，当那个怪疖子开始长出眼睛和嘴巴并会说话时，巴格利开始思考他是否精神失常…… 　　本片作为最有趣的另类英国喜剧之一，在英国影史占有重要地位。

科学家韦恩·斯萨林斯基（里克·莫拉尼斯 Rick Moranis饰）发明了能将物体放大缩小的机器，光顾着高兴的他却忘记了告诉他的两个孩子。于是这个神奇的仪器把他的孩子们跟邻居家的两个孩子都给缩小了。 　　四个孩子开始了一次刺激的神奇之旅。院子里的矮小平坦的草坪变成了高耸茂密的 热带雨林，微不足道的昆虫变成了凶猛硕大的野兽，原先稀松平常的东西都瞬间变成了巨型障碍。然而粗心的夫妇发现孩子们失踪后，才意识到大事不妙。怎样才能把孩子们都变回原来的模样呢？而此时最重要的问题是，他们到底在身边的哪个角落……

男人的幻想 艾人的夢魘 　　女人的憧憬 男人的大忌 　　花花公子長島道行白天是牙醫，晚上是爵士樂手。一心想找個完美情人的他周旋在由加、百合和惠子三女之間。本來享盡齊人之福的長島，最後卻為了逃避眾女逼婚，被逼落難離國！身邊女友如走馬燈一樣團團轉的男人，到底叫人又羡又妒，還是有苦自己知呢？男女關係搞得一塌湖塗，是否就如導演森田芳光所言︰沒有嚐過放蕩的生活，就體會不了真愛的可貴？森田作品向以題材寫實著稱，本片正好道出八十年代初期日本人的戀愛和生活態度。

影片《黑白双雄》是由理查德·本杰明导演，安东尼·爱德华兹、福里斯特·惠特克、佩内洛普·安·米勒主演的早期动作喜剧电影。影片采用“黑白配”警匪片的形式，展开了一场笑料百出的故事。

瑞秋（雪儿 Cher 饰）结束了一段失败的婚姻，除了两个可爱的女儿夏洛特（薇诺娜·瑞德 Winona Ryder 饰）和凯特（克里斯蒂娜·里奇 Christina Ricci 饰）外，这段婚姻没有带给瑞秋任何美好的回忆。虽然瑞秋是带着两个孩子生活的单亲妈妈，但她的日子过得却意外的滋润，个性热情奔放的她总是辗转在不同的男人之间，但与此同时，瑞秋的运气也不太好，每一段感情都非常的短暂。 　　每当一段感情失败，瑞秋都会搬离那座城市，去其他地方展开新的生活，这也就意味着，夏洛特和凯特一直都过着四处奔波的日子，这种生活让姐妹两人感到非常的疲倦。这一次，瑞秋又找到了新的攻略目标，两个姑娘希望这将会成为母亲感情的终点。

华沙民族主义组织成员与充满激情的左翼活动者陷入禁忌之恋，引发了一系列意想不到的事件。

演員出道的英國導演康諾博魯，首部長片《尖叫開麥拉》便笑翻眾影壇、好評如潮。電影以偽紀錄片手法開場，講述一位紀錄片導演遇上立志成為連續殺人犯的男子，兩人一拍即合，更決心組織殺人集團，從面試嗜血同黨到進行合宿集訓，一場殺戮儀式即將展開，最爆笑的虐殺電影就要登場。影片精妙擷選並顛覆所有驚悚類型元素，更讓人捧腹大笑。對虐殺電影人設及橋段如數家珍，或熱愛《吸血鬼家庭屍篇》冷調幽默的奇幻發燒友們，千萬別錯過！

医学院学生杰弗里沉迷于研究一些稀奇古怪的实验，在一次生日聚会上，杰弗里的未婚妻谢莉失误操作他发明的割草机不幸被割的得血肉横飞成了一堆人肉沙拉，杰弗里痛苦欲绝，决心通过实验将尸体残骸重新拼接让其复活...

一名风流的汽车推销，员工作不忘泡妞，活得不亦乐乎，谁知倒楣事接连发生：前妻要钱、情妇要人、混混要讨债、上司要他成打订单否则叫他滚蛋···。接著一名女职员的丈夫气极败坏地持枪闯进公司，扣留所有人质，誓言找出太太的情夫，大难临头之际，他要如何靠三寸之舌摆平危机？！以脱口秀起家的罗宾威廉斯，以他幽默戏谑、说话彷如连珠炮的喜剧风格，演出本片小人物打误撞立大功的喜闹情，表现得活灵活现，令人捧腹叫绝。加上提姆罗宾斯突破演出戴绿帽的短路丈夫，疯狂的表现更添张和笑料。

剧情讲的是一个邋遢的警察，在一次日本歌舞妓艺人遇害现场，偶然的继承了神奇的力量，化身为古怪的歌舞伎大侠，惩罚邪恶，片中充满了西方人对东方文化的错误理解以及粗糙暴力的流血场面，我看得热血沸腾，简直无心去干别的了．

广告人越疯狂，做出的广告就越有笑点。某广告公司的文案编辑安·莫瑞（杜德利·摩尔扮演），发现自己只能想出老实的广告文案之后，被公司送进了精神病院。然而讽刺的是，他的这种直言不讳的文案风格却大受欢迎，并开始和精神病院中的“疯子”们一起合作，写出更多既实在又疯狂得让人拍案叫绝的文案。以下就是几则“疯子”们创作的搞笑文案和片中的部分爆笑点。 　　爆笑点之一：为美联航空公司做的广告文案——“乘坐美联航空公司的飞机，大部分乘客都能活着回去。” 　　爆笑点之二：为邮局做的广告文案。一辆飞速行驶的邮车在公路上横冲直撞。邮递员亲切和蔼地说：“为了能把您的信件及时送达，撞死几个人又何妨？” 　　爆笑点之三：给某旅行社做的巴哈马群岛的旅游广告。一个丰腴性感的比基尼女郎充斥整个画面，她的名字叫做“巴哈马”，广告语为：“进入巴哈马！”镜头一切换，无数接线员在跟投诉者解释：“我们提供的服务不包括‘进入女郎身体’这个项目。” 　　爆笑点之四：一个亚裔青年精神病患者在得到了一辆汽车的奖赏后，急于试试身手，一边脚踩油门，一边骂骂咧咧：“他妈的，先轧死几个白人。” 　　爆笑点之五：给纽约市做的形象广告——“这里的谋杀案发生数量比去年少了一件。” 　　爆笑点之六：给索尼公司做的广告文案。播出前版本（美国人描述）：“因为日本人（个子矮）的眼睛离电子元件的距离比较近，所以电器由他们生产。” 播出后版本（日本人描述）：“由于西方人（个子高）的眼睛离电子元件的距离比较远，所以这种攒精密仪器的活儿由我们来干，索尼电器。”